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Other novice players find themselves suffering because of unintentional English, which causes their shots to go wide. But we would go with either CFL or LED lights for our pool table, and you’ll find plenty of fixtures on the market that work with both options. Durability of finish, complexities of "multiple stage" modern finishes, and other factors including environmental regulation led manufacturers to choose newer technologies. The crucial advantage cellulose triacetate had over nitrate was that it was no more of a fire risk than paper (the stock is often referred to as "non-flam": this is true-but it is combustible, just not in as volatile or as dangerous a way as nitrate), while it almost matched the cost and durability of nitrate. Many films produced during the early 20th century were lost through this accelerating, self-catalyzed disintegration or through studio warehouse fires, and many others were deliberately destroyed specifically to avoid the fire risk. Nitrate dominated the market for professional-use 35 mm motion picture film from the industry's origins to the early 1950s. While cellulose acetate-based safety film, notably cellulose diacetate and cellulose acetate propionate, was produced in the gauge for small-scale use in niche applications (such as printing advertisements and other short films to enable them to be sent through the mails without the need for fire safety precautions), the early generations of safety film base had two major disadvantages relative to nitrate: it was much more expensive to manufacture, and considerably less durable in repeated projection.

Commercial production started in 1891, but the result was flammable and more expensive than cellulose acetate or cuprammonium rayon. Because of this predicament, production ceased early in the 1900s. Nitrocellulose was briefly known as "mother-in-law silk". Frank Hastings Griffin invented the double-godet, a special stretch-spinning process that changed artificial silk to rayon, rendering it usable in many industrial products such as tire cords and clothing. The solubility of nitrocellulose was the basis for the first "artificial silk" by Georges Audemars in 1855, which he called "Rayon". However, Gibson still use nitrocellulose lacquers on all of their guitars, as well as Fender when reproducing historically accurate guitars. Guitars made by smaller shops (luthiers) also often use "nitro" as it has an almost mythical status among guitarists. The nitrocellulose lacquer yellows and cracks over time, and custom shops will reproduce this aging to make instruments appear vintage. An overheated container of dry nitrocellulose is believed to be the initial cause of the 2015 Tianjin explosions. Also, polyester film is so strong, it will not break under tension and may cause serious damage to expensive camera or projector mechanisms in the event of a film jam, whereas triacetate film breaks easily, reducing the risk of damage.

Nitrocellulose film base manufactured by Kodak can be identified by the presence of the word "nitrate" in dark letters along one edge; the word only in clear letters on a dark background indicates derivation from a nitrate base original negative or projection print, but the film in hand itself may be a later print or copy negative, made on safety film. Most automobile "touch up" paints are still made from lacquer because of its fast drying, easy application, and superior adhesion properties - regardless of the material used for the original finish. Nitrocellulose lacquer manufactured by (among others) DuPont, was the primary material for painting automobiles for many years. Related fires in other medical facilities prompted the growing disuse of nitrocellulose stock for X-rays by 1933, nearly two decades before its use was discontinued for motion-picture films in favour of cellulose acetate film, more commonly known as "safety film". Acetate film manufactured during the era when nitrate films were still in use was marked "Safety" or "Safety Film" along one edge in dark letters. Triacetate remains in use for most camera negative stocks because it can be "invisibly" spliced using solvents during negative assembly, while polyester film is usually spliced using adhesive tape patches, which leave visible marks in the frame area.

Rather, with the increased use of automated long-play systems in cinemas, the greater strength of polyester has been a significant advantage in lessening the risk of a film performance being interrupted by a film break. 8, 9.5, and 16 mm film stocks, intended for amateur and other nontheatrical use, were never manufactured with a nitrate base in the west, but rumors exist of 16 mm nitrate film having been produced in the former Soviet Union and China. Cellulose triacetate superseded nitrate as the film industry's mainstay base very quickly. It remained in almost exclusive use in all film gauges until the 1980s, when polyester/PET film began to supersede it for intermediate and release printing. Many were opposed to the use of polyester for release prints for this reason, and because ultrasonic splicers are very expensive, beyond the budgets of many smaller theaters. By the late 1990s, polyester had almost entirely superseded triacetate for the production of intermediate elements and release prints. It fell out of favor for mass production use for a number of reasons including environmental regulation and the cost of application vs.

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